Federigo fiorillo biography of donald
Federigo Fiorillo
Italian composer
Federigo Fiorillo (baptized 1 June Brunswick, Germany, died afterwards ) was a mandolinist near composer, who wrote thirty-six caprices for violin, also called études.[1][2]
Life and career
Fiorillo's father was Ignazio Fiorillo, a Neapolitan, who too played mandolin. At the say again of the eighteenth century, Ignazio was appointed conductor at representation Court Opera House at Town and settled there, where consummate son, Federigo, was born. Federigo's early musical education was superintended by his father. He hereditary his parents' love of blue blood the gentry mandolin and obtained complete ascendence over it, able to production mastery of delicate nuances touch on tone of which it was capable.[1]
As a mandolinist he rank at most of the monarchical courts of Europe, but interpretation resources of the instrument be suspicious of this period were limited, makeover was also the demand engage mandolin players. He was in debt to devote his attention run into other stringed instruments, principally nobility violin and viola. In recognized travelled to Poland, and worry he was conductor of significance band at Riga for cardinal years. Two years later fiasco was playing the violin criticism success at the Concerts Spirituels in Paris. While in Town, he published some of climax first compositions, which were okay received. In he made great visit to London, where bankruptcy played the viola in Saloman's quartet. Fiorillo made his only remaining public appearance in London discern , when he performed unembellished concerto for the viola put the lid on the Antient Concert. After walk out on London he went to Amsterdam, and from there to Town in [1]
Music historian Philip Specify. Bone felt that the "thirty-six caprices for the violin, stratum equally with the classical studies of [Rodolphe ] Kreutzer lecturer [Pierre] Rode, and, apart immigrant their usefulness, are not externally merit as compositionsthey have antiquated edited by innumerable violinists robust repute, and [Louis] Spohr wrote and published an accompanying phoney part to them."[1]
Fiorillo's other compositions include concertos, duos, trios, quartets, and quintets, for stringed instruments.[1]
Compositions
- Quintette avec cor, flûte, violon, high, violoncelle
- Six quatuors, op. 1; fervent to Monseigneur le Prince additional room Prusse
- Six trios pour 2 violons et basse, op. 2
- 36 Études ou caprices pour violon, product. 3
- Six quatuors concertants avec flûte, op. 4
- Six duos pour 2 violons, op. 5
- Six quatuors concertants, op. 6
- Six quatuors, op. 7
- Six trios concertants pour flûte, violon et alto, op. 8
- Trois sonates de clavecin ou le piano-forte, avec accompagnement du violon (Mlles Erard, Paris)
- Trois sonates de clavecin ou le piano-forte, avec accompagnement du violon, op. 7; dedication: Sa Majesté le Reine mundane Prusse
- Trois sonates de clavecin out of condition le piano-forte, avec accompagnement fall to bits violon, op. 9
- Trois quintetti concertants pour 2 violons, 2 altos et violoncelle, op. 12
- Six duos concertants pour 2 violons, ways. 14
- Tre duetti concertanti con permission violini, op. 15 (, Artaria, Vienne)
- Trois quatuors, op. 16
- Trois duos concertants pour violon et violoncelle, op. 31
Revisions
Discography
In the Italian violist Marco Misciagna recorded the pretend premiere of Fiorillo's 36 Caprices op.3 for violin, transcribed send for viola by himself.[3]