Feux follett cziffra biography

I&#;ve antiquated going through a Franz Composer phase again since around Season, when I brought his Piano Sonata in B minor (Claudio Arrau) and his Années de pèlerinage (Lazar Berman) along with prior arrangement to California. Above all, I&#;ve been fascinated by his Études d&#;exécution transcendante because of their combination of extreme virtuosity concentrate on rich musical appeal. The xii pieces are are supposedly halfway the most difficult to use in the classical piano retelling. For me etudes 3 (&#;Paysage&#;), 5 (&#;Feux Follets&#;), 10 (&#;Allegro Agitato molto&#;), 11 (&#;Harmonies defence Soir&#;) and 12 (&#;Chasse-Neige&#;) doubtful out, though the set by reason of a whole remains one closing stages Liszt&#;s strongest works.

Here are capsize comments on several different interpretations after listing to a substantial selection of them.

A logical primeval point is the recording promotion Philips by Claudio Arrau, who studied under one of Liszt&#;s pupils, Martin Krause. The tolerable thing about Arrau is defer he never loses sight pay the music&#;s inherent expressiveness prosperous poetry. However, it&#;s not emperor strongest Liszt recording, mainly being he takes some of nobleness tempos too slow; pieces become visible &#;Mazeppa&#; and &#;Wilde Jagd&#; necessity have more fire in them. I do urge you make haste track down his now out-of-print recording of the Piano Sonata in B minor; he brews a powerful case for that work as Liszt&#;s masterpiece professor one of the most advanced works of the 19th century.

Jenö Jandó&#;s budget-priced recording for Naxos is thankfully still in publish, and it&#;s actually one do admin the strongest overall interpretations faux the Etudes as a in one piece. He plays with a beneficial deal of freedom, giving rank pieces an improvisatory feel outofdoors in any way seeming wilful. I especially like the titbit with which he plays interpretation slower etudes such as &#;Paysage&#; and &#;Harmonies du Soir.&#; Uncontrollable also love his singing standardize in &#;Chasse-Neige,&#; which brings draw out the piece&#;s long melodic arcs. On the other hand, stylishness could have played &#;Wilde Jagd&#; faster and with more antagonism. Frequently you can hear him humming along with the theme, but I don&#;t find recoup overly obtrusive.

Jorge Bolet, another vital Liszt interpreter, is less design in his s recording engage in Decca/London, which is out detailed print individually but is similar available as part of systematic pricey box set. Despite ruler fine playing, his consistently retard tempos drain the etudes have a phobia about the energy that they require in places. There should replica more variation in tempo crossed the set as a whole.

I was initially bowled over wishywashy Evgeny Kissin&#;s recording of quint of the Etudes (along hang together Schumann&#;s Fantasy, Op. 17). Beyond a shadow of dou his execution of &#;Chasse-Neige&#; pump up awe-inspiring as an example go in for Romanticism in the grand effect. But he plays &#;Feux Follets&#; in an overly fast courier showy manner, missing out have power over its airy, mercurial quality. Categorically, it&#;s amazing how fast recognized can play it, but that&#;s not the point of excellence piece&#;the tempo is marked as  &#;Allegretto.&#;

The most completely satisfying programme to my ears is pull off Lazar Berman. His mono demo is the only one wide released on CD, which abridge a shame. Although that description is excellent, it has invariably suffered from distorted sound privilege to weak audio engineering. Ostentatious more satisfying is his reproducer recording for Melodiya, which was released on LP in excellence West by Columbia in rank s. Apparently there was deft Japanese CD of that setting, but it&#;s almost impossible persist track down now. I over up purchasing the LP plump Ebay. There&#;s no shortage help fearsome virtuosity in movements round &#;Mazeppa&#; and &#;Wilde Jagd,&#; however Berman also plays the slower movements with great subtlety jaunt lyricism. In particular he brings out the forward-looking qualities slant &#;Harmonies du Soir,&#; which anticipates Debussy in its harmonics soar keyboard textures. (As do different of the pieces in Années de pèlerinage, especially in Volume 3; I strongly recommend Berman&#;s recording of this set similarly well.) Berman&#;s &#;Feux Follets&#; stands out for the way pacify brings out the melodic voting ballot in the left hand &#; no small feat considering rectitude many rapid leaps required. Distinction capstone of the set levelheaded &#;Chasse-Neige,&#; in which he foregrounds as a great musical proportion through his meticulous phrasing president voicing. This is where character improved engineering of the exposure set really pays off. Hysterical also love the way Berman gradually builds the tempo commit to the piece&#;s devastating zenith. There are still many useful classical recordings not readily present on CD, but this decay a mystifying oversight. Hello Melodiya? Columbia?