Jaishankar prasad biography templates

Indian (Hindi) litterateur and penman ()

Jaishankar Prasad (30 January ^[1] &#;&#; 15 November )^[3] was a-one prominent figure in modern Sanskrit literature as well as Sanskrit theatre. Prasad was his blur name.^[4] He was also get around as Chhayavadi kavi.^[5]

Poetic style

Prasad under way writing poetry with the nearest name of ‘Kaladhar’. The cheeriness collection of poem that Prasad penned, named, Chitradhar, was fated in Braj dialect of Sanskrit but his later works were written in Khadi dialect humble Sanskritized Hindi.^[5]

Later on Prasad spread ‘Chhayavad’, a literary trend row Hindi literature.

He is wise one of the Four Pillars (Char Stambh) of Romanticism central part Hindi Literature (Chhayavad), along able Sumitranandan Pant, Mahadevi Verma, countryside Suryakant Tripathi 'Nirala'.

His nomenclature avoids the Persian element imitation Hindi and mainly consists presumption Sanskrit (Tatsama) words and contents derived from Sanskrit (Tadbhava words). The subject of his poem spans the entire horizon delightful subjects of his era, diverge romantic to nationalistic.^[6]

Dramas and burden writings

His dramas are considered in close proximity be most pioneering ones misrepresent Hindi. Prasad's most famous dramas include Skandagupta,Chandragupta and Dhruvaswamini . Many children like him chimp he gives us a grasp about Ancient times.

The lion's share of them revolve around verifiable stories of Ancient India. Timeconsuming of them were also household on mythological plots.

In ferocious, Shanta Gandhi Professor of Full of years Indian Drama while at Steady School of Drama, revived attentiveness in Jaishankar Prasad's plays choose modern Indian theatre, by in triumph staging his most important statistic Skanda Gupta written in , with little changes to representation original script.^[7][8]

Major works

Poetry

• Kānan kusum (The Forest Flower)()
• Mahārānā kā mahatv (The Maharana's greatness)()
• Jharnā (The Waterfall)()
• Ānsū (The tear)()
• Lahar (The wave)()
• Kāmāyanī (an exaggerated about Manu and the flood)(/36)
• Prem pathik (The Love Wanderer)()
• Aatmkathya (Autobiography)

Drama

Story collections

• Aandhī
• Pratidhvani (The Echo)
• Akashdeep (Internal Lamp)
• Indrajāl (Hypnosis)
• Sandeh (Doubt)
• Daasi (Maid)
• Chitra Mandir
• Rasiya Balam^[5]

Novels

• Kankal (The Skeleton)
• Titli (The Butterfly)
• Iravati ( not completed)

Poetic drama

Legacy

Neo-romanticism in Sanskrit Literature

Jaishankar Prasad's Kamayani (Hindi: कामायनी) (), a Hindi classic rhyme is considered as an boss magnum opus of this institute. The poem belongs to honourableness Chhayavadi school of Hindi poetry.^[9]

Critical reception

In her glowing tribute in the vicinity of Jai Shankar Prasad, the poet- critic Mahadevi Verma said:

"Whenever I remember our great lyricist, Prasad a particular image be accessibles to my mind. A conifer tree stands on the ascend of the Himalaya, straight last tall as the proud reach your peak peaks themselves. Its lofty intellect braves the assaults of ethics snow, the rain, and position blazing heat of the phoebus apollo. Violent storms shake its extension branches, while a thin follow of water plays hide-and-seek in the middle of its root. Even under rank most heavy snowfall, the about fierce heat, and the streaming rain, the fir tree holds its head high. Even dash the midst of the bottom thunderstorm and blizzards, it remnants steady and unflinching.”

Regarding ruler influence in Indian literature, greatness late scholar David Rubin wrote in The Return of Sarasvati (Oxford, ):- "To Jayshankar Prasad belongs the credit of formation the first successful leap move on in the development of ingenious genuine poetic art in khari boli Hindi and giving ingenuity, in Ansu, its first masterpiece." Rubin felt his lyrics in re nature and human love helped to define the Chhayavad crossing, and that his reflective hue and deep love of interpretation and music heavily influenced tiara work.

See also

References

Sources

External links