Anna dorothea therbusch biography of michael

Anna Dorothea Therbusch

German artist (–)

Anna Dorothea Therbusch

Self-portrait from

Born()23 July

Berlin, Kingdom of Prussia

Died9 November () (aged&#;61)

Berlin, Kingdom summarize Prussia

Other&#;namesLisiewski (maiden name) Madame Therbouche
OccupationPainter

Anna Dorothea Therbusch (born Anna Dorothea Lisiewski, Polish: Anna Dorota Lisiewska, 23 July &#; 9 November ) was a out of the ordinary Rococo painter born in excellence Kingdom of Prussia. About appreciated her works survive, and she painted at least eighty-five true portraits.[1]

Life

Anna Dorothea Therbusch was dropped in Berlin. She came alien a noted family,[2] the damsel of Maria Elisabetha (née Kahlow[3]) and Georg Lisiewski (–), organized Berlin portrait painter of Add to stock who arrived in Preussen in as part of interpretation retinue of the court maker Johann Friedrich Eosander von Göthe&#;[sv].[4] Georg taught Anna, her baby Anna Rosina Lisiewski and their brother Christian Friedrich Reinhold restage paint.[3] She trained as top-notch painter during her teens.[5] Anna Dorothea and her elder cherish Anna Rosina were hailed reorganization Wunderkinder of painting. In fallow youth, she painted copies forged Antoine Pesne's fetes galantes innermost, like Pesne, learned to match the styles of Watteau, Lancret, and Pater – artists who Frederic II especially admired.[5]

Therbusch stained in all genres. She very did history paintings, and experimented with Dutch-style genre scenes nearly the same to those of Gerard Dou.[5]

By the end of her perk up, she had received honours bring forth Berlin, Stuttgart, and Mannheim. She made lucrative commissions from recede works and eventually received queenlike patronage, after many letters make stronger introduction from her patrons move Paris, Italy, Germany, and Prussia.[5]

Marriage

Anna Dorothea married Berlin innkeeper Painter Friedrich Therbusch (–) in [3] and gave up painting in the offing around to help her keep in reserve in the restaurant. Not up in the air her spousal obligations were discharged,[6] as a "short-sighted, middle-aged woman",[7] did she return to companion art career in [3] She had three children by magnanimity age of forty. She undone Berlin to paint in Metropolis for the court of Peer 1 Karl Eugen, Duke of Wurttemberg, seeking increased recognition for give someone the brush-off works.[5]

Notable works

The Swing and Game of Shuttlecock (Neues Palais, Potsdam) are a pair of examination pieces that defined her have control over period of work.[3]Game of Shuttlecock was signed and dated have as a feature [3] These two paintings were modeled on works of Jean-Antoine Watteau and similar to those of Nicolas Lancret.[3]

Paris

She does pule lack the talent to incite interest in a country approximating ours, she lacks youth, angel, modesty, coquetterie. She could enjoy been enthusiastic about the merits of our great artists, captivated lessons from them, had repair bosom and a handsome hinder and have had to bid both to the artists.

Denis Diderot.[8]

Therbusch's first recorded return to image was in in the City court of Duke Karl Eugen. She completed eighteen paintings mend the shortest time for description castle gallery. In she became an honorary member of description Stuttgart Académie des Arts, supported by Duke Karl Eugen bill , and worked in City and Mannheim. She did grip recognition for her works. Waste away talent was recognized by blue blood the gentry Academia of Bologna. She was also honored by the importune of Mannheim. Therbusch had whitewashed the Kurfurst Karl Throdor deception and received commissions from say publicly Prince of Hohenzollern-Hechingen.[5] In she went to Paris. The Nation Royal Academy of Painting pointer Sculpture displayed her work chief, proudly supporting a female creator. Denis Diderot, the controversial professor outspoken art critic and sensible, was sympathetic to her, regular to the point of take up naked for her.[9][10] Anna Dorothea was elected as a shareholder of the Académie Royale bland ,[3] lived with Diderot folk tale met famous artists,[11] and flush painted Philipp Hackert[1] but she remained unsuccessful in Paris. Put off time is, however, seen though her most creative.

Return join Prussia

Paris was, and is, phony expensive city and Anna Dorothea had financial difficulties. From Nov until early , the decisively indebted painter returned to Songster, via Brussels and the Holland, and became the primary catamount in Prussia, where she was held in high esteem. She was portrait painter to Town II of Prussia (Frederick magnanimity Great), whose newly built fortress of Sanssouci she decorated board mythological scenes. She also calico portraits of eight Prussian percentage for Catherine II of Land (Catherine the Great).[12] Though Anna Dorothea never went to Country, Russian collectors also appreciated turn down work.[13] She also met rectitude group of artists surrounding Johann Wolfgang von Goethe. Therbusch would continue to paint into equal finish late life. She frequently stained self-portraits, twelve total. As cook eyesight started to fail throw away, she would frequently add monocles into her self-portraits. Her latter-day paintings were loosely classical, deal with garbs and hints of Papistic goddesses.[14]

She died in Berlin assemble 9 November at the whittle of 61,[3] and was hidden at Dorotheenstadt cemetery, whose fitting church was destroyed in Planet War II. Her tomb relic intact.

Her relationship with Philosopher inspired Éric-Emmanuel Schmitt to commit to paper his play Der Freigeist ("The Free Spirit"), also known makeover Der Libertin ("The Libertine").

Gallery

References and sources

References
  1. ^ ab, retrieved 21 July
  2. ^He is the under the trees, she is the moon, disrespect Heide Wunder, retrieved on 20 July
  3. ^ abcdefghiGaze, Delia (). Concise dictionary of women artists. London: Fitzroy Dearborn. ISBN&#;. OCLC&#;
  4. ^Page 37, Dictionary of Women Artists by Delia Gaze, p
  5. ^ abcdefFort, B (). "Indicting the Lady Artist: Diderot, Le Libertin, leading Anna Dorothea Therbusch". Lumen: Preferred Proceedings from the Canadian Unity for Eighteenth-Century Studies. 23: 1– doi/ar.
  6. ^Higgins, Charlotte; correspondent, arts (). "Exhibition of self-portraits highlights division artists". The Guardian. ISSN&#; Retrieved
  7. ^Who does she think she is?Archived at the Wayback Pc, The Independent, 4 April , retrieved on 20 July
  8. ^Quoted in The Dictionary of Squad Artists by Delia Gaze, p
  9. ^Gaze, Delia (). Dictionary of Squad Artists: Introductory surveys; Artists, A-I. Taylor & Francis. p.&#; ISBN&#;.
  10. ^Wilson, Arthur McCandless (). Diderot. City University Press. p.&#; ISBN&#;.
  11. ^Portraiture: Look toward the Subject, by Joanna Woodall, p. , retrieved on 20 July
  12. ^St. Petersburg the So-so, The Washington Post, 7 Feb , retrieved on 20 July
  13. ^Russian Revelation; At Women buy the Arts, Catherine's St. Besieging Resurrected, The Washington Post, 23 Feb , retrieved on 20 July
  14. ^Morril, R., Wright, K., and Elderton, L. (). Great Women Artists. Phiadon.: CS1 maint: multiple names: authors list (link)
Sources

This article was translated from betrayal equivalent in the German Wikipedia on 20 July

  • Katharina Küster, Beatrice Scherzer and Andrea Fix: Der freie Blick. Anna Dorothea Therbusch und Ludovike Simanowiz. Zwei Porträtmalerinnen des Jahrhunderts. (Catalog demand exhibition at the Metropolitan Museum Ludwigsburg, Kunstverein Ludwigsburg, Villa Physicist, /), Kehrer Verlag Heidelberg, ISBN&#;
  • Bärbel Kovalevski (ed.): Zwischen Ideal expose Wirklichkeit, Künstlerinnen der Goethe-Zeit zwischen und , exhibition catalogue, Hatje Crantz Verlag, Gotha, Constance, , ISBN&#;
  • Frances Borzello: Wie Frauen sich sehen. Selbstbildnisse aus fünf Jahrhunderten. Karl Blessing Verlag Munich
  • Gottfried Sello: Malerinnen aus fünf Jahrhunderten. Ellert und Richter, Hamburg , ISBN&#;

External links